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Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
All bowls Sara Moorhouse makes are thrown on a wheel using white stoneware clay or porcelain. The banded bowls are then turned and bisque fired before being returned to the wheel and hand painted with underglaze colour. The Colourblock series are turned and then the lines drawn on using a laser level, which are then taped and hand painted. The white porcelain bowls are handed carved either on or off the wheel, depending on the arrangement.
Josie became passionate about clay in 1976 when she enrolled on the Studio Ceramics course at Chesterfield College of Art. After three years of throwing, building kilns, visiting potters and generally being immersed in pottery, she opened a workshop in Matlock with a fellow student.
Matthew’s work explores the links between ceramics and geology and place, making pieces entirely from geological samples that he has collected from specific locations around the country, and that illustrate the ceramic qualities inherent in these materials.
Kay Aplin graduated in 1995 from Chelsea College of Art, specialising in ceramics and glass. Since then, Kay has had a successful career as an architectural ceramist, producing a distinct range of site-specific commissions for the public realm around the UK and internationally.
Tom makes pottery for use at the table, in the kitchen, and around the home, inspired by the ceremony of eating and drinking. He is continually fascinated by the tension between form and function, using glazes as ‘clothing’ to dress and emphasise strong silhouettes. This approach originates in his studies under Steve Sheridan as a schoolboy and his enduring admiration for makers including Richard Batterham, David Leach, and Gwyn Hanssen Pigott.
Gaby’s current focus is making saggar-fired, wheel-thrown pots. What originally drew her to this type of making was the interplay between the highly controlled form, and smooth, polished, surface texture of the piece on the one hand; and the ‘seemingly’ random nature of the surface marks created by smoke and metallic, chemical reactions, on the other.
