Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Jane completed a foundation course at Chelsea School of Art, before obtaining a Fine Art degree at Winchester School of Art. She works in paper porcelain, a sensitive medium. The malleable, translucent yet robust qualities of the combination of clay and paper enables her to construct and hand build. Rolling the clay eggshell thin, tearing and pushing it to its limits to the final firing, Jane is entirely absorbed by the process of making.
Sabine completed an apprenticeship as a thrower in 1998 with Hans Joachim Grünert in Waldenburg (Sachsen) in East Germany, followed by a three-year training as a production thrower where she was introduced to wood firing. She became enthralled by the high demands of wood-firing. In 2000, she came to England to gain more experience and met fellow potter, Nic Collins who became her partner. In 2001, she moved to Devon.
With her figures Sally creates personalities that share a sense of warmth and calm. Drawing from early memories of family gatherings spilling across summer lawns; the quiet intimacy of a confidence shared between sisters; expressions of visual anecdotes carefully collected and stored to later emerge as a figure. The everyday moments of human interaction being elevated from the ordinary into something special.
Yo Thom is a Japanese potter based in North Dorset. Her journey as a potter began when working for Lisa Hammond MBE in 1998 whilst studying ceramics in Kent. She trained as a functional thrower at Maze Hill Pottery, Greenwich, then set up her own studio in 2004. Yo relocated her pottery to North Dorset in 2009.
Emily mostly works with a red stoneware clay that fires to a rich dark brown, with iron speckles showing through the glaze. She occasionally works with porcelain as the white body is ground for wonderful bright glazes. Most of the glazes contain barium and copper, a combination which give rise to interesting matt green glazes in an electric kiln.
Birgit Pohl grew up in Germany and porcelain objects in her family home always held a particular fascination. After moving to London, a chance visit to a potter’s studio first opened her eyes to the possibilities of working with porcelain. She learned how to throw on the wheel initially at evening classes and went on to study at Clay College, Stoke-on-Trent.
