Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Patricia has been living and working on the Isle of Skye for the past 25 years. Her work is informed and inspired by the powerful landscape of the island.
John discovered ceramics while still at school in his native New Zealand. He was also inspired by watching a neighbour throwing a pot on the wheel and that cemented the desire to learn more. After attending night classes to learn the basic, he built a kiln and shed in the back garden to continue making and experimenting.
Penny Fowler is a London based potter whose work reflects 21st century living in the capital. Using porcelain and bone china clays, her work is characterised by clean, precise lines and forms using a strong palette.
Richard Phethean is a long established professional potter whose work has been exhibited and collected widely across the UK and Europe. He is a Fellow of, and recently retired as Chair of the Craft Potters Association, a member of the Cornwall Crafts Association and of the Penwith Society of Artists.
With a BA (Hons) degree in Fine Art, an MA in Communication Design, and following a career in design and academia, Amanda-Sue first came to ceramics by enrolling on a course at Morley College, London in 2012. With further short courses and by joining a communal ceramics studio Amanda-Sue continued to develop her practice, making the step change to becoming a full-time ceramics-artist in 2018. In 2020, Amanda-Sue co-founded Grove Vale Ceramics, a gallery and studio in East Dulwich, London.
Ella is drawn to clay’s unique ability to preserve the act of making, and to how both conscious and unconscious moments of touch become held within the surface of the ceramic object.
Her work demonstrates a strong relationship between surface and form, informed by a BA in Painting and Printmaking and an MA in Ceramics. Ella references historic ceramic artefacts, social and painting theory, exploring ideas around the mark of the maker, temporality, trace and place.
