Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
John comes from a family of engineers going back several generations, so it was natural for him to follow suit. However, he made an unenthusiastic engineer, and after several years teaching he went back to college and gained a place on the 3D course at Manchester College of Art where he was introduced to clay for the first time.
Jaejun Lee is a Korean ceramicist based in the UK. After completing both his BFA and MFA at Seoul National University, he moved to the UK from South Korea in 2018 on a Tier 1 ‘Exceptional Talent’ visa from the Arts Council England. He specialises in porcelain and makes both artistic and functional ware. He aims to communicate a message of functionality and beauty through his work. Jaejun wishes for the objects to enrich and enhance people’s everyday lives.
Lesley was born in Lancashire, England and is based in Stoke Newington in London.
She discovered ceramics at an early age, in Australia, where the textures and colours of the landscapes and terrain greatly influenced her. She studied firstly in Australia where she gained a Diploma (Distinction) in Ceramics at Caulfield Institute of Technology in 1982.
David read philosophy and literature at Warwick University. Realising the lack of jobs as a philosopher, he became a potter and taught part-time in the ceramics department at Wolverhampton University for thirty years. This allowed him the space in which to continue with his personal practice. He was awarded a PhD from Manchester Metropolitan University in 2016. David used the inquiry within his thesis to examine the question of how he could employ the language of materiality, making, and firing (particularly raku) to critically focus on issues of personal identity.
Chris trained in stage design at the National Institute of Dramatic Art, Sydney, and after settling in the UK, built a successful career in the theatre, designing, writing and directing. In 1983, he moved to Devon and it was here that he fell in love with clay. His first studio was one that he and his partner built in their back-garden and he began to produce thrown tableware on a homemade Leach wheel.
