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Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Her work captures her imaginary life and real life, which overlap. She used to pretend to live as a ‘normal’ person in society but wildness took over the thin veneer and it consumed her. Once she started making sculpture, all those layers of pretention fell away. She was finally one whole person.
Angela has been working in bone china since 1991 using traditional slip casting techniques: designing her own models, making plaster moulds, and finally slipcasting translucent pieces. Conventional forms, vessels, bowls and plates retain both their functional identity but also serve as a natural canvas for decoration. Her work develops in series mostly inspired by nature; depending on the decoration each series has its own identity.
Hyejeong Kim’s work is rooted in the history of Chinese, Korean and Japanese ceramics yet influenced by modern ceramics of the United Kingdom.
Julian first made a coil pot at school in 1968 and was immediately hooked - and very well supported by teacher David Buchanan to pursue his passion in exploring what could be made by hand-building with clay. Other than what he was empowered to discover at school, he had no formal training.
Petra trained in the South East and then gained a degree at Cardiff before joining Wobage Workshops, South Herefordshire in 1995. She and her husband, Jeremy Steward, also a potter, live on the edge of the Royal Forest of Dean. They were invited to join the Wobage studios as part-time apprentices to Mick and Sheila Casson, a role they maintained until Mick’s death in 2003.
Landscape is pivotal to Sarah’s work, expressed in an oblique way. A distillation of her responses to the transient moments of mud and weather, sun, season and the clay in her hand. Like the changing weather, her approach constantly shifts as she explores shapes, colours, textures and markings.
