Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Jane completed a foundation course at Chelsea School of Art, before obtaining a Fine Art degree at Winchester School of Art. She works in paper porcelain, a sensitive medium. The malleable, translucent yet robust qualities of the combination of clay and paper enables her to construct and hand build. Rolling the clay eggshell thin, tearing and pushing it to its limits to the final firing, Jane is entirely absorbed by the process of making.
Chris started his ceramics journey in 1995 as Edmund de Waal’s first apprentice, working with him for two years, learning the techniques he still uses in his own studio today. Thrown and turned by hand on the wheel using Limoges porcelain, Chris specialises in pieces for interior spaces – designed for functional use and for decoration.
Susan was born and grew up in Cork, Ireland. In 1991 she received a Certificate with Merit from the Grennan Mill Craft School in Co. Kilkenny. From there she moved to Scotland and the Edinburgh College of Art, graduating in 1999 with a First Class Honours Degree in Design and Applied Arts and a Post Graduate Diploma in Ceramics in 2000. Susan exhibits widely in solo and group exhibitions in the UK, Ireland and abroad.
Gaby’s current focus is making saggar-fired, wheel-thrown pots. What originally drew her to this type of making was the interplay between the highly controlled form, and smooth, polished, surface texture of the piece on the one hand; and the ‘seemingly’ random nature of the surface marks created by smoke and metallic, chemical reactions, on the other.
Sue first picked up clay during A Levels and immediately made a connection with the material. As a farmer’s daughter, messing about with soil was second nature, but being able to construct and make vessels felt like another level. A part time job at a local pottery introduced her to production throwing and wider opportunities arose as she enrolled onto a Ceramics degree course. She began to explore slip casting and model making, finding that turning plaster on a lathe was akin to turning ribbons of clay on a thrown bowl. The qualities of the materials are similar, each endeavouring to express a particular attribute. Winning an RSA Student Design Award with a placement at Wedgwood firmly rooted her interest in industrial ceramics, and a full time role as a shape designer followed.
After a long and varied career in design and printing, Judy followed her passion for ceramics. At the age of sixty, she enrolled in a 3D Craft and Design BA at a local college, graduating with First Class Honours, and went on to complete an MA at the Royal College of Art, specialising in Nerikomi and Kintsugi. While at the RCA, she was invited to exhibit in China and was commissioned by ROSL to create a presentation plaque for a prize-winning musician.
