Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
The careful traditions of English slipware are unseated and then thoroughly reworked through the ceramics of Dylan Bowen who has taken this English inheritance and very definitely made it his own.
Jemma’s work explores the way that girls are generally constrained from birth to conform to an appearance and code of behaviour, to present a perfect face and maintain the expectations of others. The use of porcelain or stoneware with layered disrupted surfaces, describe the vulnerability beneath.
Elly graduated from the Royal College of Art in 2004. Since then, she has exhibited in numerous galleries and craft fairs. She produces work from her garden studio in Hertford.
Elly’s work is hand-built using slabs of clay with multiple slips, textural marks and impressions applied during the making process. Glaze is also applied and sometimes rubbed back, then the pieces are high fired.
Simon’s porcelain collection is a series he made based on his experience while on a residency in Jingdezhen, China. The series mixes modernity with the millennia-old heritage of Chinese porcelain. The work features hand painted brush strokes that capture the energy and artistry of traditional Chinese calligraphy.
Miae began working with clay after a long career in the film industry as an animator and visual effects artist in Los Angeles. She did not encounter clay until later in life, but its tactile and transformative nature captivated her immediately. She pursued formal training at Glendale College in L.A., completing a ceramics programme in 2018 before establishing a home studio. She moved to London in 2020, where she now lives and works.
Jonathan graduated from Farnham Art School in 1974 and worked for Joe Finch at Appin Pottery in Scotland. He began making once fired domestic ware in a pale stoneware body, guided and inspired by Bernard Leach’s ‘A Potters Book’. He went on to work in porcelain and to decorate with a brush.
In 1999, Jonathan moved to East Sussex where he built a smaller kiln in a more spacious workshop. He began to experiment seriously with reduction fired lustre which had fascinated him ever since he attended a course given by the late Marjorie Clinton two years previously.
