Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Award-winning artist, Ashraf Hanna works with the vessel to explore relations between profile, line, and space. Using a process of handbuilding, and working with colour and texture, Hanna examines the juxtaposition of sharp lines and soft curves.
Martin Pearce creates abstract sculptural pieces inspired by natural forms. His work often portrays a state of flux, with the quality of moving water or cloud forms, while other pieces appear as if they could be in quiet contemplation.
Björk’s professional background is in Architecture and her work remains unequivocally architectural to her eyes and is influenced by her training and profession in many ways. However, natural forms reflecting her upbringing in Iceland and exposure to the extraordinary in nature are also reference points.
Ruthanne Tudball is the author of the first book on Soda Glazing, published by A&C Black. Her thrown, hand built and faceted work is held in public and private collections across the world including Europe, North America, Australia and Asia.
Antonia Salmon’s ceramic sculptures have been exhibited and sold into collections throughout the UK and internationally for over 35 years. She has also worked with interior designers and individuals to complete commissions for corporate, hotel and home collections.
Chris trained in stage design at the National Institute of Dramatic Art, Sydney, and after settling in the UK, built a successful career in the theatre, designing, writing and directing. In 1983, he moved to Devon and it was here that he fell in love with clay. His first studio was one that he and his partner built in their back-garden and he began to produce thrown tableware on a homemade Leach wheel.
