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Anna Lambert makes hand-built earthenware ceramics using various techniques including slab-building, modelling and painted slips. Using a variety of techniques, each of her pieces are entirely unique.
Each piece is developed during the making stage using drawing in the landscape as a starting point. Often assembling her pieces from fine pliable sheets (slabs) of clay – white earthenware mixed with a rougher clay – she then alters, cuts and fettles them. On occasion she may add sections of texture from carved or lino cut designs.
When the form is finished, pieces are painted with multiple layers of coloured slips, often with darker underpainting, which may then be cut back to reveal the embossed pattern or drawn on with sgraffito. Further layers may be added with the use of hand cut tissue paper stencils and masks. The pieces are bisque fired to 1100ºC before being inlaid with contrasting slips in the sgraffito areas and dipped or sprayed with a lead bisilicate glaze. The final firing is to 1105ºC.
Anna‘s ideas reflect an interest in her locality exploring narratives relating to, amongst other things, climate change in her local landscape and the regeneration of orchards. Inspired by new nature writing, she engages with a common language beyond pastoral sentimentality, combining drawing with the abstract qualities of pots, their spaces, edges and surfaces.
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“The work has a strong tactile quality, as does the natural world. I don't wish to imitate nature but aspire to echo the process of nature.”
“Everything created, either functional or decorative, has equal importance,
and the integrity of this thought is the driving force behind my daily practice as
a potter.”
The driving force behind all of Paul Jackson’s
highly decorated work is a desire to express
his Cornish surroundings, with their strong
sense of colour and style. Paul uses white
earthenware to form energetic vessels
which are then decorated with colourful
and painterly abstract decorative motifs,
some influenced by Russian or Islamic art.
Richard Phethean makes ceramics
using coarse textured red and black
earthenware clays referencing
ancient pottery as well as European
slipware traditions. Richard utilises
brush and resist techniques to create
cubist‑inspired abstractions that adorn
both his domestic vessels and altered
and assembled forms.
