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Clive Bowen is one of Britain’s finest studio potters. He is internationally known and respected for his powerful yet intimate pieces, with his works widely exhibited in the UK and throughout Europe, North America and Japan.
From his Devon studio, Clive produces slip-decorated earthenware pots, which he says are “… all basically to do with food and presenting food, I’ve always been about that.” Clive uses the local Fremington clay, a red earthenware clay used for centuries for traditional North Devon wares. His work is mostly wheel thrown with some hand-pressed dishes. Making their debut with us are new extruded vessels for flower displays, heavily influenced by Japanese vases.
Lately, he has been decorating his pieces whilst listening to music, often jazz. The rhythm and energy of the music is felt and channeled through his fingers, whether in direct contact with the slip or via slip trailing, combing and sgraffito.
Clive fires his work in his large double-chambered wood-firing kiln.
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‘I build up the surfaces of my pieces spontaneously, riffing on ideas of space, narrative and joy. I get to a point where I can push things a bit, hoping something exciting will happen – and sometimes it does.’
“The work has a strong tactile quality, as does the natural world. I don't wish to imitate nature but aspire to echo the process of nature.”
“Everything created, either functional or decorative, has equal importance,
and the integrity of this thought is the driving force behind my daily practice as
a potter.”
The driving force behind all of Paul Jackson’s
highly decorated work is a desire to express
his Cornish surroundings, with their strong
sense of colour and style. Paul uses white
earthenware to form energetic vessels
which are then decorated with colourful
and painterly abstract decorative motifs,
some influenced by Russian or Islamic art.
Richard Phethean makes ceramics
using coarse textured red and black
earthenware clays referencing
ancient pottery as well as European
slipware traditions. Richard utilises
brush and resist techniques to create
cubist‑inspired abstractions that adorn
both his domestic vessels and altered
and assembled forms.