Carolyn is a renowned ceramic artist, author and educator, recognized for her unique use of colour and surface. Her works are an energetic transformation of flat surface into physical entities – emotion occupying a space, not just a ‘feeling or memory’. Her inspiration is internal, a conscious analytical series of responses to an ever-expanding matrix of understanding.
With a 40 year career in pottery and work held in collections across the world from the Museum of Modern Ceramic Art in Japan to the Varazdim Museum in Croatia, Carolyn is a prominent UK maker.
Born in Singapore and now living and working on the South coast of England, Carolyn derives the inspiration behind her hand crafted vessels from colours themselves. Citing the world around her alongside the work of artists who use colour as their form of expression, such as Rothko and Giotto, the striking, abstract, decoration of her pieces breathes life into any room.
This newest body of work offers up a bright and instinctive collection of works which are the direct response to a three month residency in France. They denote a new terrain and a time of joyous expression of colour and emotion through paint and brush, now extended into ceramic forms.
Exhibition pieces will be viewable online from Thursday 14th September
This exhibition profiles the works of seventeen esteemed makers, each of whom have recently been awarded Selected Member status by the Craft Potters Association.
An exhibition of works to coincide with the launch of Adam Buick's new book 'Raw Earth'. Adam uses a single pure jar form as a canvas to map his observations from an ongoing study of his surroundings. He incorporates stone and locally dug clay into his work to create a narrative, one that conveys a unique sense of place. The unpredictable nature of each jar comes from the inclusions and their metamorphosis during firing. This individuality and tension between materials speaks of the human condition and how the landscape shapes us as individuals.
‘I build up the surfaces of my pieces spontaneously, riffing on ideas of space, narrative and joy. I get to a point where I can push things a bit, hoping something exciting will happen – and sometimes it does.’
“The work has a strong tactile quality, as does the natural world. I don't wish to imitate nature but aspire to echo the process of nature.”
“Everything created, either functional or decorative, has equal importance,
and the integrity of this thought is the driving force behind my daily practice as
a potter.”
The driving force behind all of Paul Jackson’s
highly decorated work is a desire to express
his Cornish surroundings, with their strong
sense of colour and style. Paul uses white
earthenware to form energetic vessels
which are then decorated with colourful
and painterly abstract decorative motifs,
some influenced by Russian or Islamic art.
Richard Phethean makes ceramics
using coarse textured red and black
earthenware clays referencing
ancient pottery as well as European
slipware traditions. Richard utilises
brush and resist techniques to create
cubist‑inspired abstractions that adorn
both his domestic vessels and altered
and assembled forms.