In this bold group show, we bring you new work by two accomplished and risk-taking makers working at opposite ends of the UK.
Sarah Jenkins works from her house and studio surrounded by farmland in North Essex. Patricia Shone has been living and working on the Isle of Skye for the past 25 years. Though surrounded by starkly different landscapes, these artists both use clay to express their responses to the land.
Each artist favours handbuilding as a making process, embracing textured and carved surfaces that possess a raw, tactile quality. Patricia’s works achieve soft earthenware blacks and greys through raku, wood and charcoal saggar firing, while Sarah embraces satin like surfaces, some bearing graphic line work and others revealing abstract patterns of colour. Both bodies of work are organic and elemental in nature, sitting in harmonious dialogue with one another.
Join us in admiring this elemental collection full of detail and nuance.
This exhibition profiles the works of seventeen esteemed makers, each of whom have recently been awarded Selected Member status by the Craft Potters Association.
An exhibition of works to coincide with the launch of Adam Buick's new book 'Raw Earth'. Adam uses a single pure jar form as a canvas to map his observations from an ongoing study of his surroundings. He incorporates stone and locally dug clay into his work to create a narrative, one that conveys a unique sense of place. The unpredictable nature of each jar comes from the inclusions and their metamorphosis during firing. This individuality and tension between materials speaks of the human condition and how the landscape shapes us as individuals.
‘I build up the surfaces of my pieces spontaneously, riffing on ideas of space, narrative and joy. I get to a point where I can push things a bit, hoping something exciting will happen – and sometimes it does.’
“The work has a strong tactile quality, as does the natural world. I don't wish to imitate nature but aspire to echo the process of nature.”
“Everything created, either functional or decorative, has equal importance,
and the integrity of this thought is the driving force behind my daily practice as
a potter.”
The driving force behind all of Paul Jackson’s
highly decorated work is a desire to express
his Cornish surroundings, with their strong
sense of colour and style. Paul uses white
earthenware to form energetic vessels
which are then decorated with colourful
and painterly abstract decorative motifs,
some influenced by Russian or Islamic art.
Richard Phethean makes ceramics
using coarse textured red and black
earthenware clays referencing
ancient pottery as well as European
slipware traditions. Richard utilises
brush and resist techniques to create
cubist‑inspired abstractions that adorn
both his domestic vessels and altered
and assembled forms.
