Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Anna Lambert

Anna Lambert, nationally recognised full time maker, makes hand-built earthenware ceramics using various techniques including slab-building, modelling and painted slips. Using a variety of techniques, each of her pieces are entirely unique.

Each piece is developed during the making stage using drawing in the landscape as a starting point. Often assembling her pieces from fine pliable sheets (slabs) of clay – white earthenware mixed with a rougher clay – she then alters, cuts and fettles them. On occasion she may add sections of texture from carved or lino cut designs.

When the form is finished, pieces are painted with multiple layers of coloured slips, often with darker underpainting, which may then be cut back to reveal the embossed pattern or drawn on with sgraffitto. Further layers may be added with the use of hand cut tissue paper stencils and masks. The pieces are bisque fired to 1100ºC before being inlaid with contrasting slips in the sgraffitto areas and dipped or sprayed with a lead bisilicate glaze. The final firing is to 1105ºC.

Anna‘s ideas reflect an interest in her locality exploring narratives relating to, amongst other things, climate change in her local landscape and the regeneration of orchards. Inspired by new nature writing, she engages with a common language beyond pastoral sentimentality, combining drawing with the abstract qualities of pots, their spaces, edges and surfaces.