We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Isabel has been making pots since the mid-1960s. She trained at Farnham and on the Harrow studio pottery course, graduating in 1969. She has made pots and taught in America, Jamaica and South Africa and since the 1980s in North Yorkshire.
It gives her great pleasure to think that her functional ware will be handled, used and cooked in, enhancing any occasion. This for her is the pleasurable and real connection between the maker and the person buying her pots.
Her pots are made from stoneware clay or porcelain, thrown on an electric wheel and reduction fired in a gas kiln. Stonemason’s chisel marks on Yorkshire barns, ripples of water, colours of the sea and the three dot ‘cintamani’ are constant sources of inspiration and are represented by imprints, sgraffito and use of oxides.