We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Patia studied at Harrow College of further Education 1986 – 1988 and subsequently spent two further years at Cardiff from 1998 – 1990. During her time at Harrow and Cardiff she was tutored by Mick Casson, which after her graduation led to an invitation by Mick and Sheila Casson to join the team at Wobage in 1990. This is where Patia continues to work today in her own workshop making slip decorated earthenware alongside high-fired ash and feldspathic glazed porcelain. Patia was made a Fellow of the CPA in 2015, and has exhibited in the UK, Japan and Europe.
Patia makes using two very different clays. Slip decorated earthenware fired to 1120 degrees centigrade, and high fired reduced porcelain. (Using apple, chestnut and yew ash). There is a connection between the two … pots for living and daily pleasure. The most interesting aspect about working with both materials is that each material feeds different facets of what Patia loves about clay and one informs something of the other when she is working; enriching both. Patia’s earthenware pieces often begin with the clay as the canvas – working slip wet into wet, layer upon layer of pours, drips, trails, feathering, and brush marks with intensity and speed. This joy is evident in her work the sense of being a little more out of control, freer in process has come about in part by using tin cans for trailing slip in both her earthenware and porcelain pieces.
PRODUCT CODE:PD338Y148
PRODUCT CODE:PD338Y153
PRODUCT CODE:PD338Y154
PRODUCT CODE:PD338Y151
PRODUCT CODE:PD338Y146
PRODUCT CODE:PD338Y123
PRODUCT CODE:PD338Y138
PRODUCT CODE:PD338Y139
PRODUCT CODE:PD338Y127
PRODUCT CODE:PD338Y133
PRODUCT CODE:PD338Y120
PRODUCT CODE:PD338Y104
PRODUCT CODE:PD338Y87