We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Peter Smith was once a research chemist specialising in high temperature chemistry before he found ceramics and set up Bojewyan Pottery in Cornwall. He first encountered pottery in the late 1960s in Robert Fournier’s classes at the Chaucer Institute in South London.
In 1970, Peter started Bojewyan Pottery to make earthenware and slipware in a coal burning kiln of unique design. Built to mirror the chemistry of a medieval kiln, but with the ability to control the firing in a way that was not possible for the medieval potter. Unfortunately, this kiln is no longer in use but its legacy still remains. By the 1980s Peter had become interested in a more individual form of expression, still using earthenware, and using various self-made pottery bodies designed to maximise the clay visual rather than the use of glaze as a coating.
More recently he has been incorporating steel rods, and sometimes bolts, into his work, particularly within the more sculptural/spatial element of his work. Occasionally, you might find Peter creating figurative work and assemblages of pieces made with charity shop bought glazed figures and the use of angle grinder.
PRODUCT CODE:PS2Y57
PRODUCT CODE:PS2Y55
PRODUCT CODE:PS2Y94
PRODUCT CODE:PS2Y98
PRODUCT CODE:PS2Y113
PRODUCT CODE:PS2Y111
PRODUCT CODE:PS2Y114
PRODUCT CODE:PS2Y103