We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Simon spent his childhood fishing, drawing, and painting (usually creatures with sharp teeth). His first experience with clay was at the age of nine, throwing on the wheel under the guiding hands of Tessa Oates at Chipstead Craft Studios, later sculpting and modelling. He entered the world of graphic design and illustration, working in London design studios for a decade and then from his home in Kent. With the increasing use of computers, he felt the call back to clay and the need to express himself in more tangible forms.
Simon is fascinated by the relationship that develops between man and man’s best friend. His work combines illustration and sgraffito to depict and celebrate the exciting (sometimes imaginary) life of his Labrador Retriever (the least demanding of supermodels) in permanent, everlasting ceramic form – so much easier to keep clean than the real thing! Around half his output is commissions created for customers worldwide, often based on owners’ favourite four-legged friends.
“The pose of the dogs are matched to the piece, illustrated and carved by hand. Never tracing or using stencils or decals or anything like that. I have nothing against other methods, I just like to paint/scratch quickly and freely with as little as possible to slow me down or get between my brushes and tools and the damp clay.” – Simon Olley
PRODUCT CODE:SO557Y28
PRODUCT CODE:SO557Y30
PRODUCT CODE:SO557Y25
PRODUCT CODE:SO557Y23
PRODUCT CODE:SO557Y22