Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Timothy Copsey

The Peak District Pennine landscape and its seasons are the backdrop to everything Tim makes. This is pottery on the border between function and sculpture; in essence vases, bowls, bottles and cups, although these are really just ‘Serving Suggestions’. Works such as the Waterfall pieces are directly inspired by observing and depicting how water races over and around rocks, glistening and reflective, as direct a reference to pouring as the onomatopoeic ‘tok tok’ of the tokkuri form. Tim finds deep inspiration in Japanese forms and techniques, early experiments in camouflage such as dazzle, Prehistoric ceramic forms and Situationist art.

In addition to being a potter, he works with artists and creative organisations as a film maker. This affords him the opportunity to investigate how ceramics and film overlap. “I’m interested in the performative nature of how film can incorporate its subject”, this has resulted in a series of short films called ‘Serving Suggestions’.

Surfaces are built up over multiple firings, often starting in the wood kiln and ending with lustres. His work has been described as ‘beautifully ugly’ or like ‘space debris’. He hopes that the work is playful, elemental if occasionally jarring or surprising and ultimately resonant of their materiality and the landscape from which they derive.